Another vivid childhood memory of being exposed to ceramics was seeing the traveling King Tut exhibit. I was drawn to the ceramic Bes deity pots and their use in the home as a protector of women and children. For the first time, even in mynaiveté, I realized that there could exist a “conceptual” aspect to creating these forms. What also intrigued me were the marl ceramics of the second Naqada period, which were decorated with reddish-brown drawings that developed from the early geometric forms to less abstract images. Among some of my favorite are those that depicted oared boats transporting what has been interpreted as deities, and the decorations that included people and animals. |
A place to share reviews of artworks, exhibitions and other tidbits for students in the MFA Studio Art program at the University of the Arts.
Sunday, July 8, 2012
nrg Ceramics Now Mag
Kimberly Cook. Trophy, 2011, Ceramic, mason stain, gold luster, 35” x 23” x 20”
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