David Park (1911–1960) is one of those artists who isn’t widely known but whose work inspires a special loyalty and warmth of feeling among his admirers. The partisan flavor his very name can arouse is partly dependent, of course, on his not being a household name to begin with. But Park, who was based in Berkeley, California, and was, along with Richard Diebenkorn and Elmer Bischoff, one of the leading lights of what has been called “Bay Area” painting in the 1950s, makes some of us always eager to see more of his work and learn more about him because his best pictures have a particular tenderness and sense of gravity—a note that sets him apart from near-contemporaries of his such as Alice Neel, Fairfield Porter, or Alex Katz. (From the web)
A place to share reviews of artworks, exhibitions and other tidbits for students in the MFA Studio Art program at the University of the Arts.
Monday, July 23, 2012
David Park
David Park (1911–1960) is one of those artists who isn’t widely known but whose work inspires a special loyalty and warmth of feeling among his admirers. The partisan flavor his very name can arouse is partly dependent, of course, on his not being a household name to begin with. But Park, who was based in Berkeley, California, and was, along with Richard Diebenkorn and Elmer Bischoff, one of the leading lights of what has been called “Bay Area” painting in the 1950s, makes some of us always eager to see more of his work and learn more about him because his best pictures have a particular tenderness and sense of gravity—a note that sets him apart from near-contemporaries of his such as Alice Neel, Fairfield Porter, or Alex Katz. (From the web)
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment